Valuing Carnival The Emperor's New Tools#2

WHO WILL BE DEMOKRISSY's 25000th READER? The Count Is On....
PLS RESPECT OUR COPYRIGHTS: You can contribute to these efforts by purchasing the books for friends, schools and institutions; or requesting our customised LiTTours or LiTTributes - Email lolleaes@gmail.com for details 

So masmen are enflamed. Again. Over prize money. Again. Are at loggerheads with the powers that be. Again.
It's the continuing saga of bacchanalia.
Unless we weed out the endemic systems of dependency on which the celebrations were founded; and the governance system recast itself as mechanism that has the will to act; to revamp and develop adequate systems and structures and institutions that nurture and support artists and creators in ways that make them self-reliant, and that make the Carnival and other Festival Arts into the viable and sustainable creative industrial sector they can be, the recurring impasse over prizes, prize structure and prize money for pan, mas, calypso, soca, chutney, stickfighting, Hosay, Divali,  Phagwa, Pichakarie, and everything in between would remain the never-ending story.
Somewhere in there is also the recurringly invisible cultural policy in state of perpetual draft over the last 50 odd years of so - yes, 50 years - and each time it resurfaces merely replicates the dependency syndrome!
Is it any wonder that we cannot see our way, despite the rich amalgam of talent and creativity we exhibit in our daily lives. Shortsightedness continues to doggers.
Where are the well-thought-out budgets that look beyond just the annual seven day wonder to an Industry? That takes into full account the contributions and the value - social, economic, political and other value included - of the cultural sector so budgetary focus can match that contribution, not reflect tokenism.
Where is the vision for building proper supportive trade and commercial structures and mechanisms?
Where are the mechaniims and facilities and facilitation for those more meaningful forms of compensation as insurance, pensions, support grants, support training and services that would build and strengthen the sector so ever so regularly we would not have to hear of how another of our artists is close to the breadline?
And where is the will by those in the sector - policy and decision makers, the corporate sector, and practitioners alike, to make it happen?
Are we really serious. Who's fooling whom?
These are some of the endemic systematic changes and modes for institutional reform in a culture of transformation that discussions on constitutional reform should also take into account - how to redress the kind of institutional malaise that are inhibiting progress and meaningful development and effectively restructure public institutions, their relationships with the state and the state's relationships to the civic mechanisms that they ought to sustain.

LiTTscapes for LiTTribute to Antilles

https://sites.google.com/site/krisrampersadgloba

Trinidad and Tobago’s Dr Kris Rampersad, author of LiTTscapes – Landscapes of Fiction from Trinidad and Tobago will team up with icons of Antigua and Barbuda to stage a literary tribute to the Antilles on Saturday (March 23, 2013) at the museum in St John’s, Antigua.

Dr Rampersad, whose book, LiTTscapes, was launched as part of the golden jubilee celebrations of Trinidad and Tobago last August, has undertaken a series of tributes called LiTTributes to highlight the contributions and value of the creative sectors of the Caribbean.

LiTTscapes has been described as a groundbreaking encyclopaedic yet coffee-table style compendium of the lifestyles, landscapes, architecture, cultures, festivals and institutions of the Caribbean and quintessential to the Caribbean diversification agenda as a means of promoting sustainable development through the creative sector in its presentation of  history, politics, cultures and lifestyles, by reviewers as head of the Guyana Prize for Literature and deputy vice chancellor of the University of Guyana, Professor Al Creighton; Poet Laureate of Port of Spain, Pearl Eintou Springer; former principal and pro vice-chancellor of the University of the West Indies, Dr Bhoe Tewarie and former First Lady of Trinidad and Tobago Dr Jean Ramjohn Richards, among others.

Said Creighton: “Easy to read, LiTTscapes is a work of art, a documentary, a travelogue, a critical work with visual and literary power. It is a quite thorough artistic concept, a portrait and biography of the nation of Trinidad and is attractively, neatly and effectively designed. It reflects a considerable volume of reading, ranging from the dawn of Caribbean literature (as early writings of Walter Raleigh, through to present including Nobel laureates Derek Walcott and Sir Vidia Naipaul). Whatever one says no one book can do, this one almost does.” 

Rampersad explained:  “The literary tributes, called LiTTributes, celebrate the creative synergies between fiction, the built and natural landscapes and the creative energies of writers, musicians, dramatists, artists, architects and other creators.” She noted that the launch of LiTTscapes was followed by the LiTTribute to the Republic in Trinidad and Tobago in September 2012 and LiTTribute II - LiTTurgy to the Mainland in Guyana in February 2013.

“The Antiguan event is being called LiTTribute to the Antilles and will include presentations by Rampersad and Antiguan writers and performers, including writers as Joy Lawrence, Joanne Hillhouse and Floree Williams with support from the Historical and Archaeological Society of Antigua and Barbuda which operates the museum, and Best of Books, Antigua. It will feature readings and performances inspired by LiTTscapes, which represents some 100 works of some 60 writers, including the Caribbean Nobel laureates for literature, Derek Walcott and Sir Vidia Naipaul.”

She said: “LiTTributes are meant to make both the creators and our communities aware and heighten appreciation of how we may work in tandem for the benefit of our countries and our region. I am indeed humbled and buoyed at the enthusiasm being showed throughout the region and indeed the diaspora for these as already I also have interests expressed for similar LiTTributes in North American and Europe from where a considerable number of our fiction writers have functioned.

 “LiTTscapes is a celebration of ourselves – small islands whose creative energies have generated enormous waves across the globe, as this LiTTribute to the Antilles will endorse. Antigua has given us writers like Jamaica Kincaid and Joanne Hillhouse.  Derek Walcott titled his acceptance speech for the Nobel Prize, The Antilles – Fragments of Epic Memory. This event is a celebration of that epic Antilles, not as fragments, but for the wholeness of our aesthetics,” said Rampersad.    

Rampersad said along similar lines of the LiTTscapes celebrations, the Antigua/Barbuda event will feature the Caribbean architectural alongside literary, visual and performance heritage. Its staging at the museum building will recognise Antigua’s oldest heritage building which is the former site of an indigeneous marketplace. Previous events were staged at the historic Moray House in Guyana, Knowsley Building in Port of Spain and White Hall, one of Port of Spain’s Magnificent Seven edifices.

For details and information, reviews, interviews email lolleaves@gmail.com or visit kris-rampersad.blogspot.com.

In Brief:

LiTTscapes: Key Features

Ø  Full colour, easy reading, coffee table-style

Ø  More than 500 photographs of Trinidad and Tobago

Ø  Represents some 100 works by more than 60 writers

Ø  Captures intimate real life and fictional details of island life

Ø  Details exciting literary moments, literary heritage walks & tours

Ø  Essential companion on T&T for tourists, students, policy makers, academics, lay readers

Ø  Totally local effort to stimulate local creative industries

Ø  Encourage literacy and creative activity

See: LiTTscapes album on Facebook: https://www.facebook.com/kris.rampersad1

    About the Author – Kris Rampersad

For more than two decades Dr Kris Rampersad has been actively involved in analysing, assessing, critiquing and defining the development agenda for Caribbean societies.

She is a journalist and educator in Caribbean literature, culture and heritage.

See: https://sites.google.com/site/krisrampersadglobal; http://kris-rampersad.blogspot.com