Thru Novel Lenses! New Vision New Perspectives New Ideas New Directions For the New World! Futuring Sustainable Development in the Post Pandemic Planet From Pre School to Policy Making
football
and well-played alcohol will break down every social wall
From WM Herbert, Handmade (for the World
Summit of Arts and Culture, Newcastle UK
June 2006)
Dear Ken, Sir,
So a decade
after we fo-rum together - because you know for sure we share more than the
same initials and on the same programme at the World Summit of Arts and Culture
in Newcastle when you got a taste of the stuff Trini creativity is made of -
you coming for more, eh? On my home turf? Ah
drinking babash, cause dey…
Sir Ken boy, ah
hear they importing you to we soil – ‘cause nothing cyar hide in we choonkey
lil island. Although we have no grapevine and grow no grapes, news, especially
if iz some cochoor, spread like crop season bushfire. The bacchanal and cankalang alone could drive
ah woman to drink. Ah drinking babash,
cause dey…
From the fire in
meh wire ah hear they bringing you and some other boys, just like they bringing
the IMF, to tell we about creativity and what to do with we education and how
to do creative business and about creative enterprise. As if we don’t know how
to do creative business.
Ah drinking
babash, cause dey…
Sir Ken boy, you
think we Trinis don’t know creative business? You really don’t know how
creative we could get with we rum! We could take next people rum and bottle it
and say is we rum yes. A label over a label and look papaya - is your rum! That
is how creative we could get, here, Sir Ken boy. You might want to use that in
one of your speeches.
Ah drinking babash,
cause dey…
We have we own
kind of creative economy too and creative accounting and management that is
what they lorn in dem Institutes for higher, or hire, learning - I not sure which.
They growing creative managers and we still hoping they go ripen into some leaders.
Where else, eh, billions of dollars flowing in from oil, dey say, and all them
oil business in billions of dollars debt and they not thinking bout diversifying they still waiting for the next
oil boom, just like how as soon as Carnival done, they cyar wait fuh the next
one. Is like dat. That sounds like some creative sense to you? Oil tabanca to
fill a tabantruck. And the lil artist and writer still balancing a budget and
living without debt eh, so is tax and tax and tax we into debt and drink. Ah drinking babash, cause dey…
Sr Ken, I know
you like to talk about enterprise. I could tell you about Enterprise. In fact I
will show you, when you come. In
Enterprise dem boys know creative pursuits eh. Guns, drugs, murder and mayhem. Dey
learn well. Wild wild west style just like in the movies they cyar practice
they trigger-happiness in, cause we doh have ah movie industry. So is practice on
the streets, day and night: bang! bang! Live movie action. Ah drinking babash, cause dey…
Sir Ken, remember
the couple nail biting hours we shared watching the 2006 World Cup qualifiers in
front of that screen in the Newcastle/Gateshead caterpillar they call the arts
centre – we have one now too, we own arts centre that not only look like a
caterpillar, it have caterpillars and other termites crawling all over too, right smack in front
the Range as if to say is a bigger saga boy than the natural beauty of the Northern
Range. Crumbling like all them institutions law, parliament, education, all crumbling at the beams from termites and parasites 'cause the centre cannot hold. It open in 2009, three years after I return from the Summit, talk about cultural transference. You will see it when you come, if
you get time to step out of the higher-at place they keeping you nah, I could take you on an eye-opening LiTTour - a Journey Through the Landscapes of Fiction - although it staring you in your face is all fiction eh, no truth in that at all at all.
Ah drinking babash, cause
dey…
Sir Ken, boy,
your visit really send me down memory lane. When we was watching that football match
World Cup Qualifiers T&T vs UK 2006. I nearly chew-out the top
of all meh fingers after that first goal, hoping that we boys would at least
score one peeny-weeny goal against ye old Brits so I could ah tell the fo-rum the
next day when I presenting on MAS Culture what mas do fuh we! Well-qualified to
tell how we boys had some good babash that’s why they lick all-yuh good. Ah drinking babash, cause dey…
But just how they rig the match and give we
poor boys dat coonoomoonoo kindda liquor the Scots call ‘water of life’ ooskie,
so the boys played like coonoomoonoos. Is no different nah, is just so they rig
my presentation and I come with the best powerpoint with motion video of the
winning 2006 most colourful wining Carnival girls inserted in powerpoint even
before powerpoint had invented the movie insert feature – but the first world
didn’t have the new software to run it, at least that is what they say, as if I
could believe that the first world didn’t have the software and me from me from
a teeny weeny backward banana boat island have this technology. Ah drinking babash, cause dey …
Good thing I had
a back-up plan and walk with me rum for the fo-rum in the NewCastle caterpillar,
eh Sir Ken, boy. Because between you and me you never know how them boys would
perform. But we could export real creative ways of managing football funds eh –
arkse Jack, ah warn you, it go blow yuh mind. We creative fuh so. Ah drinking babash ‘cause dey…
That day at the
summit when you and your boys stumbled out of the room, with two goals and well
at least I scored with some ‘well-played alcohol’ – ask WM Herbert who made
that poem for and on our fo-rum at the World Arts Summit where that line came
from.
football and well-played alcohol will break down every social wall
From WM Herbert, Handmade (for the World Summit of Arts and Culture, Newcastle UK June 2006)
Is we Trini rum
he talking ‘bout! It is true we didn’t win the world football qualifying match,
but we won the World Summit fete! Ah could tell you that because I had the
creative intelligence to pack meh bottle ah rum for the fo-rum! You have to
agree, that was pure genius to break down them social walls if not the glass
ceiling, eh! And it look like I help T&T qualify too cause at last now we
have you, Sir, come here and grace we with your knightly presence! After all
the times I have to go to talk to fo-rums in all yuh first world, tho not here,
eh, not here! But exchange is no robbery where creative enterprise is concerned
eh. Now you understand?
Ah drinking
babash, cause dey…
Sir Ken boy, to
tell you the truth, I really thought when I see the invitation from the World
Summit on Arts and Culture to talk, and me name list next to yours on the
programme, I thought that is why I was invited you know, to bring some Trini
rum for the fo-rum, so is the first thing I pack. And 9/11 rules didn’t kick in
yet so I could walk through immigration with it so bold face holding it in
front me, waving it like the national flag and all them immigration and customs
people through the Brit airport nodding and smiling maybe hoping for a sip.
Ah drinking babash cause dey…
I couldn’t bring
babash though. It was not just because of the airline rules and ye olde
mercantilist impulse to make everything indigenous like we own way of making we
own rum illegal. It is really because as a true daughter of the soil - eating
dirt, as they say, cause breaking that glass ceiling tough boy - I holding on
to me secret knowledge of babash-making because we like to keep we real
creative stuff hidden in the backyard nah. Ah
drinking babash ‘cause dey…
They importing
you and the boys to tell them how to be creative without a mind about parting
with their creatively-earned foreign exchange – easy come easy go.
Ah drinking babash ‘cause dey…
Who knows more
than me about how they killing creativity, eh, about passion eh, about living
yuh talent, about multiple intelligences eh? Ah drinking babash ‘cause dey…
Now we boys don’t
have not even a peeny eeny bit of curiosity to know the secret knowledge of
creating babash, after they kill the industry dead dead to feed a few pipers to
play some foreign tune for them. Those who have a lil curiosity want to know for
free, ask Spree, and still they wouldn’t listen. Ah drinking babash ‘cause dey…
If you want to
know how to kill Trini creativity – Sir Ken boy – I know that is yur pet
subject and you want some local insights, I sharing, for free because in
T&T the arts is a freeco thing, only to laugh for an evening comedy show,
not to use to make education and law and social reengineering and to mean something
to we in we own image. Nah. We have to
hide it and practice it in secret – like drinking babash.
Is not just the
education system, nah, is how they stomp out we homemade rum and make it
illegal – the same way they make we marriage traditions and drum beating
traditions illegal, and plenty plenty thing that good for the grass roots – if yuh catch me drift – everything
grass roots illegal here, even grass. Dat’s why nobody take on the law. It
illegal to get married, it illegal to have sex, it illegal to smoke weed and
still everybody doing it. Just like we have laws against murders, laws against
incest, laws against violence and child abuse, laws against thiefing, and laws
against all kinds ah thing – and that eh stop nobody! Ah drinking babash, ‘cause dey…
Maybe they think
that as a daughter I shudda be tie up and tie de knot not realizing that is one
old law – and who take on the law here anyway eh – get married at 12, 14, 16 - not
me. I keep my focus on the instructions to go forth and multiply which I really
thought mean go fly off on this trip and dat trip and multiply intelligence,
with this idea and that idea, and follow this dream and that dream to teach
people about creativity and cultural industries and how to reengineer education
for self-esteem and to think for themselves and to value what they know and
what they have and appreciate they multiple intelligences – I really
thought that is what that meant yes: go forth and multiply. Ah
drinking babash, ‘cause dey…
I fly out because
I didn’t want to be stripped of me self-respect, left wandering in the street
like the lil ex-Mayor of Chaguanas, nah. We filling them lil girls head with
ambition that a Woman’s Place is in the House of Parliament and some of the
women we put in the top there only want your head cause they head filled with
being part of the old boys’ club. Sisterhood dead dead. That is what happen
when you put yourself up for public office here. You could turn into a raving
lunatic if you don’t have a stash ah babash, yes arkse ex-Mayor Natasha.
Ah drinking babash, ‘cause dey…
As she find out
too, it turns out, I was wrong and I should ah stay home and mind baby and leave
them ambitions to the boys, like you, who they importing through the creative
cultural foreign stock exchange and stick with me home made backyard country
brew.
Ah drinking babash, ‘cause dey…
Although I not
from the Caroni, like everybody else who come here by boat my ancestors get rum
before they get pay, so this fo-rum thing in meh blood and I still could knock
back a good few like any of the boys at any fo-rum, mano-y-mano, shatter the
glass bottles if not the glass ceiling – you want a list ah the fo-rums in
which I scored fo-rum after fo-rum: Newcastle, South Africa, India, Malaysia, France,
Costa Rica, Brazil, Argentina, Belize, Jamaica, Colombia, Mexico, Barcelona,
Scotland, Montreal … It reading like the World Cup qualifying list eh?
Ah
qualify for sure, drinking babash, ‘cause
dey…
When you come ah
go show you, Sir Ken, here at home we know where to find the real stuff. Is a
small island, nah. Everybody know where to find babash or guns or drugs, or who
kidnapping who for ransom and who planning to do for who, who doing prayers on
who head, who is the boys dealing, and trading and stacking organs and orange
juice in freezers – everybody and they lawyer know, but not the law – we call
it creative blindness because if you know yuh could get you light out, just so
just so. Ah drinking babash, ‘cause dey…
Sir Ken, you
will find out for yourself, eh. Here, everybody done know everything ahready.
All we want is a lil laugh and that’s why they invite you, so they could laugh
a lil bit. They done know that culture is a song and a dance and a comedy show
so everybody with a lil bit a creativity try to get into comedy because they
have to eat. Plain and simple. Culture is not about intelligences and policy
and curriculum development and conscience building, and social stability and
inclusion and management, and business. You mad or what? And is best they hear
it from you who doh really know dem so it could sound nice and distant and
theoretical and academic. You would be fine. Dey wouldn’t cut the mike on you
because you from foreign, as they do to me for talking the naked truth. Ah drinking Babash cause dey…
Sir Ken, you
would have a great time. You go come; you go go back home and say what a nice
people, who laugh plenty at all you jokes and make some ah they own jokes too,
and the rum flow like water and the babash hiding in the back room and you get a nice bit a foreign exchange people here
cyar even get to send they children who away to school. Ah drinking babash ‘cause dey…
When you leave
we could go back to blaming the old Brits for the mess we in although the Brits
using we creativity to teach creativity, and we with we own independent
institutions in we own self-determining nation – well is not we is dem to blame. Ah drinking babash, cause they…
If you want some
fresh material, for Port of Spain or even for them TED Talks you know where to find me, eh Sir Ken, boy, and say how-do-you-do-to-me girl Lizzie eh, and me famalee, the royalings, and if you have luggage space take these letters I have for she, please 'cause ah cyar afford the postage stamps. Ah drinking
babash, cause they…
If you want to
know the rest of the refrain, arkse that Rumbunctious Rumraj.
World
Summit repositions arts & culture
Clear
role in governance and sustainability defined
By Dr
Kris Rampersad
football and well-played alcohol
will break down every social wall.
From WM Herbert, Handmade
(For the World Summit of Arts and Culture, June 2006)
If culture is to be defined as the product of human
interactions,
the place of the human in a world traumatised by diminishing
social, environmental, political and equitable economic relations was at the
core of the World Summit on Arts and Culture.
Held in Newcastle/Gateshead, England from June 14 to 18, 2006
through sponsorship by the International Federation of Arts Councils and
Culture Agencies, the Arts Council of England and the Commonwealth Foundation,
the Summit saw arts and culture practitioners and activists in dialogue with
policy makers, planners and supporters.
In keeping with the theme “transforming people, transforming
lives,” some 500 Summit participants grappled with challenges of helping
Governments and decision makers to recognise the position of culture and the
arts in regenerating societies’ physical and social environments and economies.
Effectively, they invited revision in conceptualisation, approaches, and
methods that have so far dominated decision-making, which, in the general
division of labour functions and responsibilities, have left regeneration and
sustenance to the sciences, economics, politics and the hard-core world of
doers - not dreamers.
Skepticism that the arts has a place in this isn’t altogether
unfounded, given that artistic development has traditionally leaned on
philanthropy, the generosity of supporters, donors, endowments, and other the
like - polar opposites, surely, to, notions of sustainability.
But some 30 presenters outlined working examples of how, when
well-directed, the cultural industries can sustain societies: from use of
architecture to reduce delinquency in a district in Houston, to development of
a district in Ethiopia by indigenous craft, to how the Carnival festival from
Trinidad and Tobago has evolved to global proportions represented in some 150
countries around the world and involving a range of artistic talents and
skills. Participants were also exposed
to the UK’s Creative Partnerships that effected regeneration through art,
architecture, music, design, theatre and film. In Kielder, for example, art and
architecture such as the Belvedere and Skyspace combine with the local
landscape, riverscape and skyscape to bring the natural environment into
sharper human focus, while encouraging environmental protection and reviving
the district’s tourist economy.
From
an unchallenged premise that more people participate in culture, than vote, the
Summit asserted the potential of culture and the arts in providing for basic
human needs of food, shelter and clothing, while retaining its traditional role
in nourishing minds. In its easy capacity to support co-existence and
accommodate divergent views, polar opposites, diversity and difference through
its metaphors and similes, borrowings and samplings, and general artistry, arts
and culture were seen to hold key solutions to minimizing the negative impact
of the conflicts between economic development and sustainability, technological
advancement and traditional practices, nature and nurture that result in social
and economic inequalities, disempowerment, and ethnic strife.
The exchange of project and ideas for processes of execution, as
well as methods of quantifying input and outputs from arts and culture-based
projects were stimulating and inspiring. NewcastleGateshead proved the ideal
incubator for this global mishmash of thinkers and doers. De-hyphenated and brought together to create
one of the world’s most successful stories of the potential of arts and culture
for not only economic regeneration but social cohesion of “rival districts”,
these districts are now joined by the hip, as it were, in the Sage Centre where
the Summit was located. In all of this, participants found time to create a
World Choir and a Summit Song, A Poem - an extract from which is cited above -
a drama; share nail-biting moments of the FIFA World Cup, and take a sneak peak
into Hollywood’s Hogsworth, through the hospitality of the Duchess of
Northumberland at Alnwick Castle where parts of the JK Rowling’s Harry Potter
movies were filmed.
Musical Heritage Walk to launch Pilot UNESCO Creative Cities Network inititive in Port of Spain
They say you are never too old to learn. This week, I learnt to clap..
Here’s the three-step method of clapping:
1.You clap as fast as you can and faster than
the person next to you;
2.You
clap with your whole body;
3.You say some pleasantries about which you
are clapping.
So let’s try that and applaud all those who have brought us to this
stage for the launch of this pilot musical heritage walk as part of the UNESCO
Creative Cities initiative for Port of Spain - because we are happiest people on earth, right?
Honourable Minister of Community
Development and Acting Minister of Arts and Multiculturalism, Winston Gypsy
Peters - one of our veteran calypsonian and certainly part of the musical
heritage of Trinidad and Tobago…. Friends in the culture
fraternity; other distinguished citizens, friends all.
Isn’t it remarkable that at a time that brings out the worst in us – as
election ‘silly season’ seems to do - , we can find the time and a space like
this at the iconic Casablanca Steelpan Yard here in Belmont, to celebrate the
best in us.
I can only begin to describe the pleasure and sense of
fulfilment in being able to open this first step of Trinidad and Tobago musical
walk towards engaging with the UNESCO creative cities network – and to do that
here, in Belmont one of Trinidad and Tobago’s most talented, most accomplished,
most diverse district - a microcosm of the people and cultural achievements of
Trinidad and Tobago.
The launch today of the Musical Belmont walk is just a small
first step towards an incredible journey of becoming a member of a UNESCO
global partnership that networks cities around the world, all representing and
all sharing a common goal for developing urban areas and harnessing their
cultural diversity for sustainable development.
This creative cities initiative is one of the flagship
projects of the Trinidad and Tobago Read More...https://krisrampersad.com/
The assassination of Dana Seetahal was already being written indelibly into the landscape of Trinidad and Tobago in the days preceding her ambush and assault and brutal killing in early May 2014.
The death gong was already poised to toll her death even before the rain of bullets echoed off her vehicle and through her body in the dead of night.
Days before her murder, the bugle call of her demise was being sounded from the mountaintops of one of our most primeval landforms. More....
Talk of proportional representation in the local government system has so far focussed on the political party system, a means of really entrenching the ills of a system that already places too much emphasis on the political party system. There are alternatives for more effective local government reform that would allow local communities ways of more actively getting involved in the running of localised affairs which it might be useful to consider as we talk of local government reform rather than the continued centralisation modes we have been drifting into over the last few decades.
The issues touch on financing and resourcing development at local level; management issues that promote nonpartisan local government system, rationalising overlaps in jurisdiction among others which have not even made it into the election campaign. As we move full gear into local government elections it may be useful to consider some of the recommendations for local government reform that allows for decentralisation which is a commitment successive governments have made at various Summits of the Americas, Commonwealth Heads of Government meetings, UN General Assemblies etc but which remain sitting on shelves like this report I prepared for through the Active Democracy Network of the Organisation of American States ... on enhancing participation in Local Government and decentralising to allow for more meaningful
Belize bulldozer mentality pervades region Countries dozing off on heritage education and bio-cultural sustainable development planning
At Xunantunich preclassical complex in Belize. (c) Kris rampersd
Who in the region can say it wouldn’t happen to us? The bulldozing of the 3200-plus year-old-Mayan Noh Mul temple in Orange Walk Belize is only symptomatic of level of unchecked danger and threats to significant heritage elements of the region and the degree of short sightedness in our approach to sustainable development.
The bulldozer mentality is symptomatic of pervading misperceptions that sustainability, bio-cultural heritage conservation and development are polar opposites. This promotes confrontational approaches at the expense of exploration of very real modes by which the two can successfully and peacefully co-exist to the benefit of populations. Countries of the region needs to reexamine its overall approaches
to sustainable development planning, budgeting and education and consciousness
raising, not just about heritage but about the way we view sector development and their relation with each other. Our budget and economic, social and environmental planning directorate and bureaucracies should take note.
With a population about the size of Tobago’s, Belize, a
former British colony might be said to be perhaps one of the least pressured countries of the
region in terms of the intensity of competition for land space for development. Tobago can itself
fit into Belize about 75 times; Jamaica, the largest of the English-speaking
Caribbean islands, can fit twice, and Trinidad four times. Last week’s bulldozing by a construction company of what was
visibly a temple and part of a complex to turn the rubble into – of all things –
gravel for a road (from the comments on the internet I am not the only aghast
at the sheer idiocy of this) is testimony to some of the challenges for
heritage preservation facing the region. Proper land use planning with concurrent resourcing, execution
and implementation may be one element of a solution, but without a focussed
awareness building and formal and informal education that inject heritage consciousness from the cradle through adulthood, it is a tragedy that is
certain to be repeated. For instance, the Mayas are still described and treated in
the past tense in much of our history and standard educational material – part of
historic misrepresentations of all the civilisations that comprise our region -
although very vibrant Mayan communities live across South/Central America and not
unlike with other regional ethnic groups,
function in active regional diasporas across the globe. They were also in significant numbers in our heritage training
sessions in Belize last year, eating, breathing, talking, exchanging ideas,
reciting, playing music, dancing, living, as indeed it was a astounding to discover the numbers of Mayan building complexes that existed in this small land space, most of them heavily silted over through the millennia, overgrown with full fledged trees and overrun with wildlife. A significant element of the tragedy of the bulldozing at the Noh Mul complex is that it was visible and known to exist, not like Altun Ha where allegedly it wasn't and it when the blasting revealed the complex it was stopped. This is part of one of the documented temple complex
in the Orange Walk district where there is a significant population of Mayan descent. It is not one of the hundreds of other architectural complexes
across Belize and South/Central America that have been overgrown, covered over
by silt and which now support huge forest and other ecosystems and so
indistinguishable from the natural landscape. That in itself might provide an
excuse to a bulldozer purportedly innocently quarrying what is believed to be a
hill, but only in the absence of proper environmental assessment, which is a
mandatory requirement for any development project. The site of the hundreds of temple
complexes across Belize which nature has reclaimed and camouflaged over millennia is enough ofan experience to make one
want to kneel down and worship the inherent nobility of the people who in
their times created this, as much as nature’s
resilience and restorative capacity if undisturbed. As I discovered on a visit last year, Belize is an awesome
example of the sheer magnitude of the Mayan civilisation from the numbers of
still standing temples, many indiscernible as with centuries of overgrowth they
appear as innocent hillocks that support dense forest ecosystems. And while the
ruins might point to the historical past tense, the vivacity of the people I
met and the friends I made is testimony to a vibrant living heritage. I could not have asked for a better induction than to have
expert guides in Drs Nigel Encalada and Allan Moore of the Belize Institute of
Technology, who are part of the National Institute of Culture and History of Belize,
on a one day cross-country drive to the Mayan mountains. It whet my appetite that before I left I made time to
explore three more sites with local Mayan guides at Altun Ha, Lamanai and Xuantunich
- who incidentally took pride and the time to put into context the deliberately distorted and misrepresented for hype the end of calendar/doomsday
story. In fact, these sites have been only partly
unearthed of the hundreds of other complexes. To some degree, Belize has legal and institutional mechanisms: an Act, laws,
oversight institutions which may be challenged by shortage of human resource
and other capacity, but those are also largely reactive mechanisms, as important as they are, to net culprits after the fact of a bulldoze, for example, rather than sustainable pre-emptive mechanisms which are where the focus should be.What could have stopped the company from
issuing the order or the guy himself driving the bulldozer to halt and think twice? If we cannot build consciousness and recognise the value
these elements of our heritage, hold to the sense of self and esteem that could
prevent the next trigger happy youngster from bulldozing his own life – value beyond
commercial value, beyond the next access road and the next high rise and the next
exploration for an oil well – which incidentally is another impending threat to
Belize where recent interests in exploitation for petroleum can become the next
international heritage disaster story. The bulldozer mentality will stay with us unless mechanisms
are built into our budgeting and physical and mental spatial development planning,
as in all other development plans so we present and project that physical,
social and educational planning not separate silos and never the twain shall
meet, but as a seamless and essentially integrated system that depend on and
support each other. Is that being taken into account in the current land use planning
for sustainable development currently being undertaken in Trinidad and Tobago and other parts of the region?
Where are the efforts to factor and integrate sustainable heritage consciousness into all of
this, other than the flag waving mentality? Where are the plans to factor in heritage in the planning for sustainable
development and the strategic educational interventions into that process that
move beyond a few Kodak advertising moments? Lost, surely in the cliched excuse about the jostle for
space for industry and agriculture and shelter in the name of development. Development does not have to be at the expense of heritage
or vice versa. There are enough successful models of this that can make us
confident that we can find the right balance between feeding ourselves, living with
all the modern comforts that one may desire and at the same time showing
respect and pride in the legacy and inheritances that are ours. The alternative is the next regional bulldozer story - while
Belize becomes a footnote, as McLoed house in South Trinidad already has - this
is the potential fate of other sites in the region; like the Banwari and other related sites in Trinidad;
or the Pitons in St Lucia or the maroon and other distinctive heritage of
Jamaica’s majestic Blue Mountains and others across the region can soon become. Sustainable development requires sustainable planning and sustainable education and awareness activities.
Whereas we can learn a thing or two from the structures and systems the developed world has evolved for arts infrastructure, education, support and patronage, when it comes to culture, and indeed multiculturalism, few, if any, can hold a candle to us. Our confidence in this fact that usually only surfaces through chest-thumping pierrot grenades or robber-type talk have not found full expression because of justifiable dissatisfaction with the state of the arts, and the unholy alignment of arts and culture in our governance system.
Just as growth and development of our arts and recognition of their universality have been overshadowed in the jostle for ethnic and cultural space, our appreciation and confidence in the diversity and multiculturalism we have evolved since we joined the indigenous peoples in this land have been curtailed from full independent flight.
The former Minister of Arts and Multiculturalism, during our sitting at the international heritage meeting in Bali last December, asked my opinion on the place of legislation in culture, reflecting the doubts all his predecessors have shown on this subject—similar to the question posed from the global floor to the now erstwhile T&T UN ambassador, oblivious to the new international awakening and probing on this subject.
This unease that has plagued culture ministries of yore stem from nervousness about legislation and policy pronouncements on our culture. In general definition, culture is “our way of life” that includes, but is not contained in, just the arts of music, dance, performance, painting etc to include elements as cuisine, fashion, walk, talk, religious practices—any number of traits that identify a people who have evolved in a particular environment. I have presented extensively abroad (Sans Humanite Sans Policy in relation to the Carnival Creative Arts (Turkey); Trini Lime Time: Attitudes to Cultural Policy in Rebel Cultures (France) among them—on the rebel nature of our cultural heritage and beliefs held, even by some judges, that the law has no place in culture.
The roots and raison d’etre of our cultural evolution—defying explorers, buccaneers, slave masters, police, schoolmasters, privateers, any authority figure—as the also erstwhile Commissioner Dwayne Gibbs would have oh too painfully, shockingly, recently discovered—inhibits surrender to any (even just perceived) impositions of structure, rules/codes.
The inability of our governance to date to grasp this; its significance; the need to fully appreciate and understand it, is couched in the last regime’s “situational analysis” on culture on the Vision 2020 Committee Report: • Attitudes of selfishness, lawlessness, greed, dishonesty, indifference to others. • Violent manifestations in the home, community, workplace, language of leadership, music. • Tendency to describe ourselves through notorious deeds. • Negative “languaging” of our space.
The visionaries therein seemed oblivious to their own negative imaging of what is essentially our sense of freedom and the inherent liberating effect this has had on our culture that is quintessential to who and what we are. Furthermore, the drive to urbanise our cultures and make them “economically viable” (duh?), through instruments like the European Union-Cariforum Economic Partnership Agreement, for instance, loses its sense of direction about the nature of culture in a society in mad-hatter pursuit of the almighty dollar.
Herein is the national, regional, international contexts for a Ministry of Diversity and Social Inclusion which itself incorporates the multiculturalism mandate—hence my recommendation that this word be dropped and a Ministry of the Arts exist in its own right, just as a Ministry of Multiculturalism/Diversity and Social Inclusion can exist in its own right; as other appendages to the once Ministry of Arts and Culture—Sports, Women/Gender, Community/Social Affairs et al—have evolved identities and mandates of their own towards a more people-centred approach to governance.
In a culture-centred approach to development, there is more than enough for such an infrastructure with a diversity mandate to: harness our substantial experiences of multiculturalism for the benefit of a world reeling from escalating impacts of new migrations; build confidence in this experience and knowledge to benefit us and the international community; reverse the hurts and dissatisfaction of having our cultural selves forcefitted into the corsets of alien governance models and administrations. It seems opportune, then, that in this the jubilee year of self-rule, we begin to redress this so every creed and race can find an equal place in a substantive and pragmatic way.
Over 150 officials and journalists from African, Caribbean and Pacific (ACP) countries have gathered in Brussels, Belgium for a conference that aims to bridge the gap between agriculture development in rural areas and coverage of this sector by media.
The conference, which is being held under the theme ’The Role of the media in Agricultural and Rural Development of ACP countries’, commenced on Monday with a briefing session for participants at the European Commission building at the Borschette Centre in Brussels.
The gathering is part of the Technical Centre for Agricultural and Rural Cooperation (CTA) 25th anniversary celebrations and aims to bridge the gap between agriculture development in rural areas by reaching target audiences in ACP countries via the mainstream media. Participants hail from more than 40 ACP countries.
In his remarks at the opening briefing, Ian Barber of the European Union emphasized the importance of the media in the various democracies. He said that the media acts as a watchdog and gatekeeper, ensuring that presentations by democratic governments are important to all areas of governance
Former CNN news anchor Tumi Makgabo (left) chats with Trinidadian media consultant Dr Krishendaye Rampersad.
CTA director, Hansjorg Neun said that the media strengthens and collaborates within the confines of good governance. He stated that this year’s conference intends to provide answers to the question; “why do we only read about agricultural issues when there are natural disasters such as tsunamis, food crises, flooding”. Neun emphasized the need for the media to provide coverage to agricultural issues; its potential and success stories, noting that agriculture needs to be urgently boosted to feed some nine billion people worldwide by 2015.
According to the CTA head, while most governments and private entities are investing in agriculture, there is also a simultaneous need for such entities to invest in media and communication. He said that most media houses /journalists are not specialists where coverage of agricultural matters is concerned. In this light, he pointed out that the CTA has undertaken several strategies to ensure that key messages are conveyed on agricultural issues; making agriculture a better, more appealing theme where journalism is concerned.
Among the reasons highlighted for agriculture issues receiving little recognition within the mainstream media were poor infrastructure within media houses, lack of equipment, lack of education on agriculture activities on the part of journalists and poor output resulting out of the latter. Recommendations brought to the fore within the first session on Monday were the need for improved skills where journalists are concerned; improved relationships between government agencies and the media; as well as the recognition of the important roles technology plays within the field, the latter being highlighted as advanced in the Caribbean as compared to Africa and parts of the Pacific.
Trinidad and Tobago’s Dr Krishendaye Rampersad – one of several Caricom representatives attending the conference, stated that there is an urgent need for investment in training to develop the sector. She said that on the part of the agriculture sector, officials there should also think of how the agency can strengthen itself where media relations are concerned.
Ignatius Jean, the Inter-American Institute for Cooperation on Agriculture (IICA) representative based in Guyana told participants that there have been moves to improve relations between the mainstream media and the agriculture sector within Caricom. According to the former St Lucia government minister, “we love and hate the media but we can’t live without them”. He noted that it is important for partnerships to be a part of the media/agriculture development relationship. The agriculture official said the media has a symbiotic relationship with democracy, noting that it plays a powerful role as an agent for change in some societies.
Among the points raised at Monday’s session, which was moderated in part by former CNN news anchor Tumi Makgabo and Trinidad’s Dr Eugenia Springer, were the communication strategies used by various players within the mainstream media; the need for skills development of journalists; and access to more readily available information. Gender issues regarding cultural or personal issues preventing women in some societies from playing a part was also discussed.
Most participants at the conference are from the African continent while the Caribbean is represented by media houses from Jamaica, Barbados, Belize, Suriname and Haiti. The Caricom Secretariat is also participating while Guyana is represented by Stabroek News and Prime News. The conference ends today.