Monday, September 17, 2012

Rampersad: Claim our writers, recognise our heroes

We cannot continue to view ourselves through the shattered lenses of the past.” Dr Kris Rampersad, author of LiTTscapes Landscapes of Fiction from Trinidad and Tobago, made this comment at LiTTribute to the Republic. The launch was also twinned with Tea Readings with the First Lady Dr Jean Ramjohn-Richards.  She was joined by her daughter Maxine Richards and daughter-in-law Dr Maryam Abdool-Richards.
Rampersad said: “The creating of the society we want has to   read more below
Want to tell your life story contact us biography musical and other culture speifc and relevant forms See related Links: 
Related Links:
See online profile Research Writings Documentaries: https://goo.gl/bqk1Tq
Musical and Poetic Biography Tributes
Dr Shadow’s Snakes’ Symphony Tribute to Heroism in the Flood https://goo.gl/M3Vwm4
Carnivalising the Constitution: People Power and the Pursuit of Happiness Congratulations to Dr Machel Montano: https://goo.gl/Phk7HN
Jus Call Me Cooligan Bois and Bacchanal in Meh Blood: https://goo.gl/MJwgML
Ode to JurisPurdence: https://goo.gl/qm3m3J
Letters to Lizzie: Nikki Minaj/Maharaj Pound the Alarm: https://goo.gl/JXZ442
Like coochoor? The Funeral Scores musical and otherwise: For Sir Vidia Naipaul https://goo.gl/XjtMNs
Reflections Death of Sir Vidia S Naipaul https://goo.gl/o3xVTU
Nobel Tears: Nobel Bard: Derek Walcott Sower in the Sky: https://goo.gl/aKR5pD
Prophesy A.Bourdain and Aboud. Port of Spain and Lebanon :  https://goo.gl/zwtyWq

Yo Ho Ho Piracy and Heritage: https://goo.gl/TvXOHU

Michael Anthony - save Mayaro post office

The destruction of McLeod House, Chase Village, Chaguanas, sparked a lot of furore recently. Historian Michael Anthony is now appealing to the relevant authorities to act swiftly to save the landmark Mayaro Post Office which he claims is at the point of collapse in his hometown.




 Anthony noted legislation was being worked upon to save these heritage treasures. “When it is enforced the people who live in these houses will have to look after them. I am hoping something would be done too because the house would collapse.” In the aftermath of the McLeod House demolition, Vel Lewis, National Trust and Deputy Permanent Secretary in the Ministry of Arts and Multiculturalism, says Minister of National Diversity and Social Integration Clifton De Coteau plans to meet with with Attorney General Anand Ramlogan to “follow up on the listing.” Lewis said while “properties of interest” had been identified, there was an urgent need to concretise the formal listing. https://sites.google.com/site/krisrampersadglobal/home/about-
me/bookshttp://www.guardian.co.tt/news/2012-09-16/michael-anthony-save-mayaro-post-office

Tuesday, September 11, 2012

LettersToLizzie#17Amongdpowerful


Dear Lizzie, Dunno if 2 say congrats or condolences ie on Forbes listing u among d 100 most powerful women of d world: to think that d list is topped by that German woman, and you, way down the line at number 25, after two wives of US Presidents, a pop singer, two TV hostesses and even some leading minions of your own empire – oh the horror, the horror! Is the sun setting on the British Empire? https://sites.google.com/site/krisrampersadglobal/home/about-me/books

Sunday, September 9, 2012

Finding the nexus between literature, culture, heritage, tourism, development and leisure

 
Her Excellency Dr Jean Ramjohn Richards will collaborate with author, educator, and cultural heritage facilitator Dr Kris Rampersad and friends to host LiTTribute to the Republic on September 15, at Knowsley building in Port-of-Spain. The event is in commemoration of Patriot’s Month—that spans 50 years of Independence and the 36th anniversary of T&T.

The fund-raising tea readings are part of a number of events and activities planned to stimulate and renew interest in local writing, reading and literacy. It follows the August 4 release of Rampersad’s book LiTTscapes—Landscapes of Fiction from Trinidad and Tobago at White Hall, another heritage icon and is part of the commemorative activities of the jubilee year of independence.

LiTTscapes celebrates the creative imagination and the writings of more than 100 works by more than 60 T&T authors. “It is meant to recreate reading as a leisurely and enjoyable activity for all ages through various interactive events and activities including readings, tours, and shows. It also hopes to stimulate collaborations between and among the creative industries including music, performance, art, drama and film along with renewed appreciation of our built and natural heritage,” Rampersad explained.

Dr Bhoendradatt Tewarie, Minister of Planning and Sustainable Development, said LiTTscapes derived out of the literature of T&T and the inspiration that our land, our people, our culture and our heritage had provided to our writers. LiTTscape is available at Metropolitian Books Suppliers and other book stores.

• For LiTTribute bookings, tickets and details contact lolleaves@gmail.com or call 377-0326.

Heritage can bring tourist $$


Sites can rake in tourist $$—Rampersad

Published: 
Sunday, September 9, 2012
 
Dr Kris Rampersad
Neighbouring Caribbean countries like St Kitts and Barbados are “attracting the tourist dollars,” since they have done the groundwork and prepared their national heritage infrastructure so that they have been placed on the Unesco World Heritage List. Interviewed on Friday, Dr Kris Rampersad, chair of the T&T National Commission for Unesco, said T&T should do well to emulate those countries who have done the groundwork and are reaping the economic benefits.

Rampersad said, “T&T is a signatory to several Unesco conventions and by these conventions, we commit to implementing actions that would safeguard and protect such heritage—one of which is the convention and the protection of natural and cultural heritage sites. Although it has been in place since 1972, T&T does not yet have any site on the world list.”

She said despite our high Gross Domestic Product (GDP) and rich cultural resources, we do not have a site on the Unesco Heritage List. Rampersad cited examples like St Kitts and its Brimstone Hill, Barbados, Curacao and Cuba.” She felt those countries had advanced because they took the time to put in place some of the rigorous measures and standards set by the World Heritage Centre.

Those islands and cities and countries are now reaping the economic benefits of the kind of recognition and attention that countries that are on the world list get. Rampersad said occurrences like the demolition of the Mc Leod House could be pre-empted and avoided if some of those safeguarding measures are followed: “Unless we set our national house in order and take care of those properties like Mc Leod House by instituting specific safeguarding measures such as a properly constituted list of national cultural elements that are in danger or in need of safeguarding, we cannot expect to reap the benefits of being admitted on any of these international listings. We need public and private and sectors and NGOS and communities to come together for this effort.”sites can rake in tourist$$ rampersad

Friday, August 31, 2012

LettersToLizzie#16 We IS Trini

Permission pls, yuh Majesty, to mash up yuh language, to break up the Queen's English 'cause We IS Trini. True, it would be another 50 years before your Great Britain would understand how We, the many, can become a singular Trini verb. We is Trini, free to write and sing in we own diverse idioms. In fifty years, Lizzie, we would be helping you to become one; we will show you, how, out of many disparate people, you too can create one nation, because We IS Trini, Lizzie. I hoist meh national flag to you ....details of the feting and the liming in Letters to Lizzzie coming to a bookshop near you, soon...https://sites.google.com/site/krisrampersadglobal/home/about-me/books krisrampersadglobal books

Thursday, August 30, 2012

LettersToLizzie15 Out With the Old In With?

Dear Lizzie, 
I am sitting here at the Premier's desk at White Hall penning what I will say to my people tonight as we claim this our National Coat of Arms; as we hoist this red white and black flag for the first time. I am listening to what would become our National Anthem, with boundless faith; what would I say? Almost like a true Trini, you couldn't come, so you sent your sister.  Do you feel the significance of this day, the burden of responsibility; the springboard of hope....Read all about it in Letters To Lizzie, coming soon... https://sites.google.com/site/krisrampersadglobal/home/about-me/booksRead about Letters to Lizzie and much more

Wednesday, August 29, 2012

LettersToLizzie#14Rainy Season Washout

Dear Lizzie,
I felt such a sense of accomplishment today as I put out the garbage. For 50 years it had accumulated not in corners and creases but in films of growing thickness that were beginning to suffocate, and that, of course, after more than two centuries of build up of other muck, untl the rains came in torrents and began, drop by drop to wash away ....only a matter of time when Letters to Lizzie will be in a bookshop near you see  https://sites.google.com/site/krisrampersadglobal/home/about-me/bookshttps://sites.google.com/site/krisrampersadglobal/home/about-me/books   

Wednesday, August 22, 2012

Diversity and culture of Ministries

Diversity & the Culture of Ministeries
by Dr KRis Rampersad 
(Part II)

Whereas we can learn a thing or two from the structures and systems the developed world has evolved for arts infrastructure, education, support and patronage, when it comes to culture, and indeed multiculturalism, few, if any, can hold a candle to us. Our confidence in this fact that usually only surfaces through chest-thumping pierrot grenades or robber-type talk have not found full expression because of justifiable dissatisfaction with the state of the arts, and the unholy alignment of arts and culture in our governance system.

Just as growth and development of our arts and recognition of their universality have been overshadowed in the jostle for ethnic and cultural space, our appreciation and confidence in the diversity and multiculturalism we have evolved since we joined the indigenous peoples in this land have been curtailed from full independent flight.

The former Minister of Arts and Multiculturalism, during our sitting at the international heritage meeting in Bali last December, asked my opinion on the place of legislation in culture, reflecting the doubts all his predecessors have shown on this subject—similar to the question posed from the global floor to the now erstwhile T&T UN ambassador, oblivious to the new international awakening and probing on this subject.

This unease that has plagued culture ministries of yore stem from nervousness about legislation and policy pronouncements on our culture. In general definition, culture is “our way of life” that includes, but is not contained in, just the arts of music, dance, performance, painting etc to include elements as cuisine, fashion, walk, talk, religious practices—any number of traits that identify a people who have evolved in a particular environment. I have presented extensively abroad (Sans Humanite Sans Policy in relation to the Carnival Creative Arts (Turkey); Trini Lime Time: Attitudes to Cultural Policy in Rebel Cultures (France) among them—on the rebel nature of our cultural heritage and beliefs held, even by some judges, that the law has no place in culture.

The roots and raison d’etre of our cultural evolution—defying explorers, buccaneers, slave masters, police, schoolmasters, privateers, any authority figure—as the also erstwhile Commissioner Dwayne Gibbs would have oh too painfully, shockingly, recently discovered—inhibits surrender to any (even just perceived) impositions of structure, rules/codes.

The inability of our governance to date to grasp this; its significance; the need to fully appreciate and understand it, is couched in the last regime’s “situational analysis” on culture on the Vision 2020 Committee Report:
• Attitudes of selfishness, lawlessness, greed, dishonesty, indifference to others.
• Violent manifestations in the home, community, workplace, language of leadership, music.
• Tendency to describe ourselves through notorious deeds.
• Negative “languaging” of our space.

The visionaries therein seemed oblivious to their own negative imaging of what is essentially our sense of freedom and the inherent liberating effect this has had on our culture that is quintessential to who and what we are. Furthermore, the drive to urbanise our cultures and make them “economically viable” (duh?), through instruments like the European Union-Cariforum Economic Partnership Agreement, for instance, loses its sense of direction about the nature of culture in a society in mad-hatter pursuit of the almighty dollar.

Herein is the national, regional, international contexts for a Ministry of Diversity and Social Inclusion which itself incorporates the multiculturalism mandate—hence my recommendation that this word be dropped and a Ministry of the Arts exist in its own right, just as a Ministry of Multiculturalism/Diversity and Social Inclusion can exist in its own right; as other appendages to the once Ministry of Arts and Culture—Sports, Women/Gender, Community/Social Affairs et al—have evolved identities and mandates of their own towards a more people-centred approach to governance.

In a culture-centred approach to development, there is more than enough for such an infrastructure with a diversity mandate to: harness our substantial experiences of multiculturalism for the benefit of a world reeling from escalating impacts of new migrations; build confidence in this experience and knowledge to benefit us and the international community; reverse the hurts and dissatisfaction of having our cultural selves forcefitted into the corsets of alien governance models and administrations. It seems opportune, then, that in this the jubilee year of self-rule, we begin to redress this so every creed and race can find an equal place in a substantive and pragmatic way.
 For more visit www.krisrampersad.com

Tuesday, August 21, 2012

Liberating the Arts from Culture

http://www.guardian.co.tt/columnist/2012-08-21/liberating-arts-culture



The creation of a Ministry of Diversity and Social Inclusion in the recent realignment of portfolios of ministers caught many, including it seems the named officeholder, somewhat agape. This, alongside a Ministry of the Arts and Multiculturalism, has justifiably created some room for confusion. Though much of the criticisms that have greeted the advent of these two ministries to date have hardly gone beyond mere soundings of bafflement and bewilderment, there are indeed some opaque areas that can benefit from better streamlining. “Multiculturalism and diversity” are reflections of each other, while “arts and multiculturalism” has a different resonance to the stock association of “arts and culture.” If one was to flash back a bit, since the 2010 announcement of Cabinet portfolios, there was an uneasiness surrounding the appending of “multi” to a ministry that has traditionally carried the title of “culture” and to which was often appended “arts.” A Ministry of the Arts and Multiculturalism was a novelty to us. It was a title that did not sit well, even with the previous officeholder of the ministerial portfolio of Arts and Multiculturalism himself one who would be defined as an artist and a cultural practitioner. 
Yet, having multiculturalism as a ministerial portfolio was highly commended by some societies still coming to terms with their multiculturalism, and where such a portfolio is becoming a norm. 
Whether in departments/divisions/ministries of governments, policy making and administration units—corporations as well—this has been a response of the international community to a phenomenon arising from globalisation, heightened movements and migrations of people with easier access to travel, all of which are changing the ethnic and cultural composition of populations and overturning age-old status quos. To flash back to even earlier times, in T&T, the portfolio of arts and culture has been traditionally unquestioningly lumped together since self-government, and, in previous reincarnations, has also been appended to portfolios of women, youth, sport, community/social development and various other perceived “soft” portfolios. In recent times, societies as Canada, Australia and Great Britain that have appended culture/multiculturalism to their arts administration portfolios are recognising the challenge of this combination. T&T has a long history, experiences of dysfunctionality in this, too, except we have not tried to analyse nor learn from them. 
It is borne out in the loud noises that often emanate from various quarters, interest groups, districts, ethnicities and cultural corners surrounding inefficiencies and patronising approaches to our arts and culture and perceived lack of delivery of successive Ministries of Arts and Culture—a name which itself presupposes a common national culture in a society where has coalesced various cultural streams and strands. The nervous unease that has plagued cultural governance since self-government, and stymied cultural development—eg still no cultural policy though it has been 47 years in the making; or the regular distress about “whey pan dey;” laments over the lack of promotion of the Carnival arts—stem from lack of clarity in conceptualising and visioning the specific roles of the arts in development and the roles of our cultures in development. No one can deny that our arts have suffered from competition for cultural space, and in the competition for ethnic space. Alignment of the arts to ethnicity has prohibited their blossoming and restricted recognition of their universal value and universal appeal.
If liberated from culture or multiculturalism, the arts, which has been deprived, shrouded in, and overshadowed by the politicisation of culture over the decades, can be allowed to blossom in their own right and take advantage of the range of opportunities for their development into viable creative industries. It will also help to accentuate their intrinsic aesthetics for recognition beyond parochial ethnic or cultural contexts, for their inherent universal values. Separation of the arts from the culture portfolio can allow T&T arts, whether drawn from ancestral communities or fashioned from our multicultural milieu—from the classical arts to our indigenous arts—to receive the kind of substantive focus of which they have so far been deprived and from which has stemmed the sense of disconnect and the continuous cries of discontent, of lack of appreciation and of lack of support. A Ministry of Arts can exist in its own and substantive right, and allow for a clearer vision of the role of a Ministry of Diversity and Social Inclusion.  

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