Thru Novel Lenses! New Vision New Perspectives New Ideas New Directions For the New World! Futuring Sustainable Development in the Post Pandemic Planet From Pre School to Policy Making
Did someone say war? So what's a War without an EPIC, or an EPIC without a War, eh. See sneak peak video above and subscribe also to my You channel!
Offering a sneak peak at my EPIC WAR for Peace from the unfolding MultiMedia MicroEpic Landsapes & Mindscapes of Heritage & History as we commemorate the 5000th anniversary of the revelation of the Bhagavad Gita, one of the world’s most enduring epics. Observed globally as Gita Mahotsav, Gita Jayanti, or the birthof the Bhagavad Gita, it is the period when Lord Krishna delivered his timeless teachings to Arjuna on the battlefield of Kurukshetra.
Here is a preview of my creation of a New World extension of the Gita as expressed through the world’s newest creative genre, the Multimedia MicroEpic of the Anthropocene. This segment of my EPIC, Divine Dialogue on the Battlefield of Diaspora, adapts and extends the Gita’s eighteen chapters into a contemporary, globalised frame, encompassing the lived experiences of the world’s largest diasporas and the unfolding Divine Dialogue in the War for Peace and Sovereignty in the digital age within the crises feeding this fraught culmination of the Anthropocene.
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See Post: https://krisrampersad.com/epic-great-war-oils-new-world-battle-in-diaspora-high-seas/
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President of Guyana Dr Irfaan Mohamed Ali seeks a new term. What's in stor for the The Caribbean Oil Capital and the world leadership ahead. See details in this post.
In this installment of the Border Wars I examine the i mplications to Latin America and Caribbean of the Venezuela-Guyana border controversy and the actions and threats by Venezuelan President Maduro in defiance of the ICJ provisional order - potential repercussions on on regional insecurity, escalating Venezuelan refugee and displacement crises of a failed petro-state and the strain on neighboring countries.
Find out More at
More at https://krisrampersad.com/prompt-action-needed-as-un-security-council-caricom-hold-emergency-meet-on-venezuela-maduros-land-grab-threat-to-guyana-may-escalate-8m-refugee-crisis-in-lac-the-border-wars-ii/
The Border Dispute between Guyana and Venezuela heats up as
the date for a Venezuelan Referendum approaches while Guyana has taken the
issue of Venezuela's threat to occupy some two thirds of its territory to the International Court of Justice. What are the implications of this
for the Region and why we should be glued?
Demokrissy takes a close look to the socio-cultural, historical and geopolitical factors in this dispute. Go to the link below for details.
On
behalf of the Trinidad and Tobago National Commission for UNESCO welcome to
this Pan Caribbean consultative workshop on UNESCO Memory of the World
initiative. While we are a national commission with essentially a national
mandate, we also take very seriously our role as a member of the Caribbean
community and the wider UNESCO region of Latin America and the Caribbean.
As
we mark this year the 21st anniversary of the Memory of the World
programme and 13th anniversary of the Memory of the World Committee
for Latin America and the Caribbean, it is perhaps timely for us to reflect on
where we have reached with the programme.
In
the short 13 years since, eight countries from the Commonwealth Caribbean
(Trinidad and Tobago, St Lucia, St Kitts, Jamaica, Guyana, Dominica, Barbados,
and the Bahamas) have inscribed 21 collections of documentary heritage on the
International Memory of the World Register and twenty five collections on the Regional
Register.
We
tend to think of the University of the West Indies and Cricket as two main elements
I am sure you will agree that this has offered us an opportunity to collaborate
as a region in the 13 joint nominations submitted among several of our
countries – and these by four national committees in Barbados, Jamaica, Saint
Lucia, and certainly I want to particularly recognise the work of the Trinidad
and Tobago National Memory of the World Committee under the stewardship of Mrs
Joan Osborne.
But
much work still to be done in public engagement and to draw out private
collectors and archivists to present their work for consideration so we can
have broad representation of the diversity of cultures, languages and heritage.
Last
year’s meeting underscored the need for greater involvement by countries in the
Caribbean, and to support each other. Through the work of the Trinidad and
Tobago national memory of the world committee we have enlisted:
—The Derek Walcott Collection
—The Eric Williams Collection
—The C.L.R. James Collection
—Registry of Slaves of the British Caribbean
—Records of Indian Indentured Labourersof Trinidad and Tobago
—The Constantine Collection
—The Donald ‘Jackie’ Hinkson Collection
—The Carlisle Chang Collection
—The Digital Pan Archive
—Records of Indian Indentured Labourers of Trinidad and
Tobago 1845-1917
—The Samuel Selvon Collection
At
the MOWLAC meeting in Port of Spain 2012 the concern was raised of the
involvement of countries in the region in the programme and how to encourage
the creation of national committees and the number of nominations coming from
the region. It was found that there was greater need for collaboration since in
some countries the MOW programme was not visible and professionals and owners
of collections did not know how to complete the nomination forms.
We
should also recognise that much of the critical documentary heritage reside not
only within the region but also in internationally-based institutions.
We
hope this workshop will meet with similar success of preceding workshops in
which nine inscriptions followed the 2009 workshop in Barbados, for example.
We
note among the objectives of this is to strengthen the memory of the world
programme through greater awareness, to increase nominations at the national,
regional and international levels; and to develop an action agenda and a CARICOM
MOW action plan for 2013- 2015.
I
suggest that among the latter you also take a look at the current draft
CARICOM-UNESCO memorandum of agreement and suggest any alternations you may
need to make to the text relevant to accommodate the region’s outlook for the
memory of the world programme within that MOU to be signed between Caricom and
UNESCO at the General Assembly in November.
We
know there are many, many areas in which we need to focus the heritage and I’d
like to also stir attention away from the printed heritage which we all know
limits us to the last few hundred years to other elements of record also
recognised by the memory of the world register – to also consider other forms
of documentation - items on stone, craft, recordings, visuals.
As we know, UNESCO
established theMemory of the WorldProgramme in 1992 from a growing awareness of the poor state of
preservation of, and access to, documentary heritage in various parts of the
world - looting and dispersal, illegal trading, destruction, inadequate housing
and funding have all played a part. Much has vanished forever; much is
endangered.So a core element is to raise public
awareness and mobilise communities to capture and preserve and promote respect
and understanding.
In
the region, we need to move quickly to secure our endangered archives – and I
draw attention to the invaluable collections of the military history museum in
Chaguaramas that contains information on the connections between our islands
and South America, unrecorded elsewhere, and which can further expand the recent inscriptions by Cuba of the Life and Works of Ernesto Che Guevara, and
Columbia’s of Francisco De Miranda and Simon Bolivar and it may be useful to
supplement that with the archives of Mr Gaylord Kelshall of the Military
History Museum who has researched and written extensively about this period
which though recent, has still not been injected into teachings on our history
and as the Minister of Education is here with us I’d like to recommend that we
look at this immense UNESCO resource and work to revising the materials in the
school curriculum – in history, social studies, civics, visual and performing
arts, among others. This presents us with an opportunity to revise
our textbooks using new research and information s there is need to establish critical
synergies between archiving and education soWebiste is not just fossilised – and
consider utilising this model of engagement between ministry of education,
archive and library and the school system.
I’d also like to suggest that you consider how we may
establish a facility to resource and fund acquisition and maintenance of public
and private collections: like those of the Chaguaramas Military History Museum,
and dozens of others in private collections and establish linkages with these.
And we
also need to place some emphasis on capture yet undocumented heritage and utilise
digitisation and engage the enthusiasm of our young people to collate data from
disappearing knowledge holders.
(Kris Rampersad, Littscapes: Landscapes of Fiction from Trinidad and Tobago, St Augustine, Trinidad, 2012 : 200 p.)
In reading this work we find a neat kind of confluence. Guyana at this time is in the middle of celebrating nationhood – the peak of it was Republic Day yesterday. The publication which was launched in Guyana a week ago is a celebration of nationhood as it is captured through photography, an explanatory text and the literature of Trinidad and Tobago. The easiest way to begin an analysis of this book Littscapes by Kris Rampersad is to describe it – give an idea so that the audience gets a clear picture of exactly what it is. But that is not the easiest way, because it is a text that defies easy description. There are more types that it is, than things that it is not.
Kris Rampersad
The publication is Littscapes: Landscapes of Fiction from Trinidad and Tobago by Kris Rampersad, published in St Augustine, Trinidad, in 2012. The bibliographical details describe it as “First Edition 2012”, which is not surprising, given its multi-tasking nature and its wide reach, and this suggests also, that considering the several things that it seems to set out to cover, there is more to come in future editions.
It is 200 pages of written and visual text, presenting the landscape of Trinidad and Tobago in passages of descriptions, explanations and quotations, very impressively supported and complemented by hundreds of colour photographs and excerpts from the literature of the country. Rampersad always interweaves into her own descriptions, the pieces taken from the literature, so that one gets pictures of the several varied subjects from the point of view of the writers and of their fictional characters. These are taken predominantly from works of fiction covering a range of short stories and novels, but to a lesser extent, there is reference to poetry and drama.
The idea of “littscapes” comes from drawing from the literature to give scenes, views and visions of landscape and life in clear, colourful, illustrative pictures as well as snippets of how they are treated in the literature. It is a quite thorough artistic concept. It is a portrait and biography of the nation of Trinidad and Tobago which actually pays tribute to the Repub-lic in 2012, the year of its 50th anniversary of Independence. The book is attractively, neatly and effectively designed, using a recurring motif of the double-T – “TT”, which, of course, is “Trinidad and Tobago”, but is also “literature” so that there is not only the visual impact but the tribute to nationhood as reflected in the various works of literature.
Littscapes is a work of art; but also it is a documentary, a travelogue, a critical work with visual and literary power. It takes us on a tour of the country, giving some exposure to almost every aspect of life. It may be too heavy and too academic to be called a tourist guide, but no tourist guide can give a better, more comprehensive introduction to Trinidad. It entices and attracts just as the other glossy tourist literature does; it looks like a weighty volume, but an important factor is that it is very easy to read. Neither is this link to tourism accidental, because one of the objectives of the book is that it must show the value that literature has in promoting and presenting and selling the nation. It must show different uses of literature, encourage new approaches to it and make it more attractive and interesting. The book does for literature, what literature does for the country.
Rampersad tours the countryside and highlights features of it, at the same time exploring the literature to indicate how the writers treat the subjects, what they or their fictional characters say, and how they are used in the plots. Photographs of several sections of Port of Spain are accompanied by the descriptions and literary excerpts; this treatment is given to the capital city, other towns, streets, urban communities, villages, historic buildings and places, vegetation, animals, institutions, culture and landscape. There is considerable visual beauty, what Derek Walcott calls “visual surprise” in his Nobel Lecture (1992); an impressive coverage of social history, geography, and politics, but also a strong literary experience. It is a survey of Trinidad’s landscape and of its literature.
The publication reflects a considerable volume of reading, drawing from as early as Walter Ralegh at the dawn of Caribbean literature, which adds historical character and depth to the landscape and culture. The references include early fiction such as ARF Webber’s Those That Be In Bondage. The connectedness of nationhood becomes relevant again here, since both Webber and Ralegh have ties to Guyana as strong, if not stronger than those with Trinidad. The relevance of this literature to the building of Guyanese nationhood is similar to the case of Trinidad here. Just as the historical development of the country is reflected in the places and monuments, so it is in the rise of social realism through the fiction of the 1930s in Port of Spain. Rampersad presents her subjects through the eyes of CLR James and writers from the Beacon group such as Alfred Mendes, and has done the painstaking work analogous to that of a lexicographer, of sorting out their several hundred references to her subjects.
This account includes some memorable passages of real literary criticism, although these are very brief. They include the entries on The Humming Bird Tree by Ian McDonald, another writer that is more Guyanese than Trinidadian, with instructive insights into the novel’s title and its meaning. Others are the references to Lion House in Chaguanas and the Capildeo family which hold great interest for background to VS Naipaul. Naipaul immortalises his mother’s family in Hanuman House and the Tulsis, and Rampersad provides additional information about Naipaul’s use of his migratory existence in her discussions of various parts of Port of Spain. There is also similar enlightenment in the way such locations as San Fernando, Mayaro and Princes Town accumulate greater meaning when used to treat the work of novelist Michael Anthony. Yet another passage of deep criticism is the brief reference to “girl victims” as they are treated in the fiction.
The other side of that has to do with omissions and reductions. There are many topics that appear undersubscribed. There was not much information or there were hardly any literary references, even in places where it is known that the subjects were well treated in the literature. Examples of these are the entries on politicians, calypsonians and superstitions, all of which abound in the fiction but are not sufficiently handled in Littscapes. However, while that is noticeable, it could never be a requirement that the book must cover everything – as indeed, it cannot. Were it a dictionary, one would fault the lexicographer on important omissions, but this work does so much already that it might be unfair to judge it on its omissions or reduced treatments.
Then there are the odd segments in which the publication does in fact behave like a tourist guide without the usual strength of literary material. Added to this are the errors which are typographical as well as where some details of literary texts are concerned, such as characters, names and titles. One or two authors are claimed as Trinidadian who might well be claimed by other islands. Walcott has produced quite a lot of Trinidadian literature, but many references to his work in this book really belong to St Lucia, and not Trinidad. Then there is the Tobago question. Trinidad is in all respects the major and dominant island, and this is overwhelmingly reflected in Rampersad’s treatment. She says in her text that Trinidadian writers on the whole neglect Tobago, treat it as the lesser of two sisters or do not treat it at all. In this book, therefore, the imbalance is noted.
In the end, Rampersad’s Littscapes does achieve an innovative approach to literature in bringing it alive in the description of landscape, life, culture and people. It encourages people to take ownership of it, see themselves, their home or familiar places in it and accept it as a definer of identity. But the book is as much photography by Rampersad and others as it is literature, and the pictures help to illustrate, highlight and make the fiction real.
Above all Littscapes: Landscapes of Fiction from Trinidad and Tobago has an extremely powerful sense of place and reinforces what in Rampersad’s words is “the pull of place on authors”. It may claim to be an accessory to what she calls “the body of fiction inspired by Trinidad and Tobago”. It communicates the character of the country.
No one book can be everything; no one book can set out to achieve everything that a literature and a visual text can do for its people and its nation; but whatever you say one book can’t do, this one almost does it.
A plan of action to preserve Guyana’s loyalty upon ratifying the 2003 Convention on Safeguarding the Intangible Cultural Heritage was advanced at the end of a two-day workshop hosted by the Ministry of Culture, Youth and Sport, in partnership with the United Nations Educational, Scientific and Cultural Organisation (UNESCO).
Programme Specialist in Culture at the UNESCO Cluster Officer in Jamaica Himalchuli Gurung presents a book to President Donald Ramotar, in the presence of Minister of Culture Youth and Sport Dr. Frank Anthony, Director of Culture Dr James Rose and Secretary General for the Guyana National Commission for UNESCO Inge Nathoo
With Consultant Dr. Kris Rampersad facilitating, stakeholders at the workshop were able to map out a step-by-step process by which Guyana can safeguard its intangible cultural heritage. A key element will include involvement of community stakeholders where it is believed the wealth of knowledge about things cultural is guarded and the holders of that culture can be easily identified. Dr. Rampersad, a media cultural and literary consultant, researcher and writer, who brought the good news to President Donald Ramotar, yesterday, said the community component is a principal element. “We are all on board with what these conventions can do for Guyana… in terms of activating the communities to take charge of their cultures, knowing how in Guyana some of the communities are so remote and the fact that some of the cultures are disappearing so quickly, not just with erosion from outside influences, but just from the mere fact that the young people are no longer interested,” Dr. Rampersaud said. The workshop was deemed a success as it was well attended, lively and informative, according to Director of Culture Dr James Rose, who joined Minister of Culture Youth and Sport Dr. Frank Anthony in yesterday’s courtesy call on President Ramotar. The visiting team, which also included Programme Specialist in Culture at the UNESCO Cluster Officer in Jamaica Himalchuli Gurung, and Secretary General for the Guyana National Commission for UNESCO Inge Nathoo, engaged in meaningful dialogue with President Ramotar on the importance of preserving Guyana’s cultural heritage and the procedures and implications of ratifying the Convention. In 2006, the Convention for the Safeguarding of the Intangible Cultural Heritage came into force, with 149 member states as of January 2013 adopting. It is based on the goals of safeguarding intangible cultural heritage, ensuring respect for the intangible cultural heritage of communities, groups and individuals concerned, raising awareness of and appreciation for the importance of the intangible cultural heritage at local, national and international levels, and providing international cooperation and assistance. http://www.guyanachronicleonline.com/site/index.php?option=com_content&view=article&id=55504:heritage-convention-workshop-ends-on-positive-note--stakeholders-meet-president&catid=2:news&Itemid=3
Intangible cultural heritage workshop very successful
Intangible cultural heritage workshop very successful-Minister Anthony
Georgetown, GINA, February 15, 2013
The Ministry of Culture Youth and Sport and the United Nations Educational Scientific and Cultural Organisation’s (UNESCO’s) two-day stakeholders’ workshop to raise public awareness of intangible cultural heritage has been deemed very successful by Minister of Culture, Youth and Sport Dr. Frank Anthony.
The ministry with support from UNESCO’s Kingston office launched the workshop at the Umana Yana on February 12, as part of this year’s Mashramani activities with the objective of creating public awareness of Guyana ratifying the 2003 Convention for safeguarding of the country’s cultural heritage.
Minister Anthony, Director of Culture Dr. James Rose, UNESCO, Programme Specialist in Culture, Himalchuli Gurung and Media/Literary/Cultural Consultant and Facilitator of the Workshop Dr. Kris Rampersaud this afternoon briefed the press on the result of the initiative.
Minister of Culture, Youth and Sport Dr. Frank Anthony, Director of Culture Dr. James Rose, UNESCO, Programme Specialist in Culture, Himalchuli Gurung and Media/Literary/Cultural Consultant and Facilitator of the Workshop Dr. Kris Rampersaud. The workshop sought to raise public awareness of intangible cultural heritage
Minister Anthony said it was an important workshop that helped the participants to understand and better appreciate what the convention is about, and its role in protecting intangible heritage.
“Now we are better able to appreciate the value of the convention to a country like ours,” Minister Anthony said. “We thought that it was important to bring various stakeholders in, because by making people a little more aware of what is taking place in the world and what can be done locally, will help us to move this forward.”
Minister Anthony said that the dialogue that took place during the workshop would have caused Guyana to seriously consider ratifying the convention.
He also expressed gratitude for the UNESCO partnership and said that the ministry looks forward to other such joint ventures including one towards making Georgetown a Heritage site.
As a result of the workshop the participants committed and formed themselves into a National Stakeholder Awareness group towards promoting the convention across Guyana. A National Action Plan towards this objective was also reached.
Dr. Rose described the workshop as “two days of excellent interchange. The workshop helped us to better appreciate all the implications of the ratification. It helped us to become more conscious of the value, variety, diversity of Guyana’s intangible cultural heritage and the workshop gave us an opportunity to recommit ourselves to safeguarding that rich legacy which we hope to pass on to generations to come,” he said.
He said, the ministry was pleased with the participants’ commitment to working steadfastly towards seeing that Guyana ratifies the convention and doing everything possible locally and where necessary networking with regional and international bodies to ensure that Guyana’s intangible culture heritage is protected, promoted, studied and valued.
Dr. Rampersaud, in going through what took place in those two-days said that it was very commendable of the Guyana Government to first seek to bring public awareness of the convention before signing on.
“Often times we find in the region that countries go into things, ratify and then the public hears about it,” she said.
“Kudos for your country and Government that it needed to bring this before the public and lay out what are the terms and conditions of it, the implications,” Dr. Rampersaud added.
Gurung said that as of January 2013, the 2003 convention has been ratified by 149 countries around the world. “It is really gaining popularity because of its significance for the safeguarding of intangible cultural heritage,” she said.
Gurung said that UNESCO defines intangible heritage culture as living heritage and intangible culture is culture manifested through various forms including rituals, practices, and performing arts.
http://gina.gov.gy/wp/?p=7790
Stakeholders’ workshop seeks to raise awareness of intangible cultural heritage
Stakeholders’ workshop seeks to raise awareness of intangible cultural heritage
Georgetown, GINA, February 12, 2013
The Ministry of Culture Youth and Sport in collaboration with the United Nations Educational Scientific and Cultural Organisation’s (UNESCO’s) Kingston office for the Caribbean, Jamaica and the National Commission for UNESCO Guyana, today launched a two-day stakeholders’ workshop to raise awareness on the 2003 convention for the safeguarding of the intangible cultural heritage.
This workshop which is being held at the Umana Yana is part of this year’s Mashramani activities held under the theme, “Reflecting Creativity, Embracing Diversity”.
Books on display about Guyana’s history at the stakeholders’ workshop at the Umana Yana
The convention is one of seven held in the field of culture and is intended to ensure respect for intangible cultural heritage of communities, groups and individuals, to raise awareness and appreciation of the importance of such heritage and to provide for international cooperation and assistance.
Prime Minister Samuel Hinds who declared the workshop open said that intangible things are of great importance in today’s society, and that the world today is truly coming together rapidly as one. “This is a good thing, this is something that many have been calling for all along, but there is the realisation that different cultures and languages may be dropped as the world becomes one,” the Prime Minister said.
The Caribbean with its four to five hundred years of turbulent history around slavery and indentured labourers has created a small area where the world has been coming together.
Prime Minister, Samuel Hinds delivering remarks at the launch of the stakeholders’ workshop at the Umana Yana
PM Hinds highlighted that Government realises that culture is an important aspect of nation building, and lauded the Culture Ministry for its effort to make cultural activities relevant to the country.
Facilitator Dr. Kris Rampersad said that the workshop will explore the interrelation between and among the conventions, particularly, what these conventions have in store for the people of Guyana, and work towards implementing them.
She explained that participants will have a chance to learn how these conventions could strengthen policies, infrastructure, legislations, and the policy framework.
“We have the knowledge and the experiences that we can share with the rest of the world and we can use these mechanisms that UNESCO offers to do that,” she said.
Prime Minister, Samuel Hinds receives a copy of a book on intangible culture
This programme started in 2006, and the domains covered by the convention include, oral expression and tradition, performing arts, rituals and festive events, knowledge and practices concerning nature and the universe and traditional craftsmanship. At present, 149 countries have ratified this convention and 65 persons have been trained as facilitators.
“If you know what tangible culture is and how important it is, then you become more committed to it,” said Director of Culture Dr. James Rose. He encouraged persons to participate in this edifying workshop which will be of great benefit to them.
The work shop is being held under the theme, “Safeguarding our human treasure from generation to generation”.
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