"What is currently the home of the National Museum and Art Gallery has, as a building, outgrown its walls and its floors. So we are looking to a state of the art building or system of buildings that can house what we are also trying to currently define as the National Collection... and to chronicle, document and interpret events and experience"
Experiencing the
Art in State of the Art
Opening Remarks, Chair, National
Museum and Art Gallery, Dr Kris Rampersad
EYE...HAYTI...CRIES...EVERYWHERE...
Symposium on the Exhibition by LeRoy Clark,
May 19, National Academy for the Performing Arts, Port of Spain
Happy International Museum Day!
Thank you for that invocation for reminding us that we are a part of something larger that came before us and that we ourselves come from something larger in our ancestry.
Thank you for that invocation for reminding us that we are a part of something larger that came before us and that we ourselves come from something larger in our ancestry.
The breadth and
depth of artistic vision are as much in each individual piece as in the
collective of some 105 drawings in black and white which encapsulate and exude
the spirit, resilience and potential of the civilisation and people who inspire,
even with their tears, in Clarke’s symbolic Hayti. That is the overpowering
sense when you enter the art gallery - that Hayti is all around us, and we are
in it! Everywhere. That is the singular power that this exhibition: EYE...HAYTI...CRIES...EVERYWHERE...exudes.
I hope you have
all had the opportunity to not just view but experience the exhibition before
coming here – and if you haven’t yet, it is still open at the National Museum
and Art gallery for another month.
It is in this
context that I invite you to listen to the presentations and participate in the
discussions that will follow. We. You Me all of us are not isolated or
insulated from all of it. We are very much a part, participant, player and
protagonist as we are audience, recipient and receptacle. This is a symposium
about everywhere, as much as it is about the here and the now, and the actual
country, our neighbour Haiti, that inspire it.
As we speak, we
are confronting the tragedies of humanity that bring us to despair, to tears. I
do not have to list them. They are personal and they are national and they are
universal. That you are here means you must feel some of it, and want to impact
upon it. And it is that eternal resilience to search out, to quest and to
question and in doing so to transcend that this exhibition also celebrates.
The standard
definition of state of the art is: the most recent stage in the development of something
incorporating the newest ideas and features. Newness,
innovation, and technology feature in every definition, but what of history,
heritage, legacy? What of art?
Where is the
place for art in state of the art?
It is indeed a reflection
that seems apt standing here in a building like this that houses the National
Performance Art Academy. Is this state of the art? Isn’t that a discussion, a
dialogue, we should have had a long time ago, and is somewhat long due: the
conversation between the centuries old building next door, known as the Royal
Victoria Institute and headquarters of the National Museum and Art Gallery, and
this ultra modern state of the art one here? And isn’t there a dialogue and
conversation that should be happening between our institution next door, and
institutions like this one, the University of Trinidad and Tobago and the other
one up the road, the University of the West Indies.
Where is the
art in state of the art?
But that would
be nothing, a void, like the echoes that emanate from the cries within Clarke’s
drawings, if we do not also fill that building/those buildings with events and
occasions like these: to reflect, to interrogate, to elucidate, to educate on
the state of the art, the state of our art, and the state that we are in as a
people, the role of the State and the role of the people in the state of the
art. We welcome partnerships in this so we can have more of these, more
engagement, more interaction, more discussion, articulation, interrogation so
we could better understand ourselves and this place we call our society, and
our world.
It allows us an
opportunity to remind ourselves, and others, of the role of the arts: to
chronicle, document and interpret events and experience; to bring people closer
together to understand each other: to promote cross cultural understanding because
art reaches out from canvas and makes the looker-on, the onlooker – a
participant. Isn’t that true of the exhibition next door? It encourages us to
find creative solutions to challenging situations which we are here to do at
this symposium.
To me, ultimately,
art, all art, is not techniques and buildings and technology but experience.
Through it an artist expresses an experience that he or she often cannot even
fathom – his/her experience of an emotion or thought; and through it we
participate in an experience that may be larger and inaccessible to us in our
daily lives.
And I invite
you to join us in helping to take it there. It is a cry, my cry, for all of us
to recognise that perhaps we would not have so many tears if we had such an
institution that could hold together all the fraying and flaying strands of our
society and from its chaos create the kind of art we see in the exhibition: EYE...HAYTI...CRIES...EVERYWHERE...
I thank you for
taking the time and effort to be a part of this; and the University of Trinidad
and Tobago and the Ministry of National Diversity and Social Integration for
partnering; Legacy House for inspiring us and I look forward to the
presentations and your partnership and collaboration as we move forward towards
better appreciation of the state of the art. We appreciate and welcome your
understanding of this as a collective responsibility as we move to form
alliances and partnerships that would help us fullfil the esoteric and exoteric
place a museum assumes in the lives of citizens.
We invite you
to join us in forging opportunities for our National Museum and Art Gallery to
grow in stature as a place to explore and interrogate ourselves as much as it is
to celebrate and transform the worst in and of us into the best of us, so that
we too become state of the art.
I thank you.
Chair, National
Museum and Art Gallery.
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@wef, @economictimes, @business, @businessinsider, @wsjbusiness, @wsj
womenshealth, @wsjmag, @people, @fortunemagazine, @ellemagazine,
@oprah, @O_magazine, @OWNTV, @oprahbooklist, @voguemagazine,
@twitterwomen, @womenintheworld, @UN_Women, @womenatforbes,
@womensmediacentre @womensenews,